Reflections on editing

Sunday Blog 121 – 4th February 2024

For a brief period while in London I flirted with acting and improvisation classes. Once I had to try my hand at playing an East Ender talking things over with a mate. I was supposed to be poor, in trouble with the law, in a tight corner.
“Stop!” The tutor said after a while. “You just don’t sound like someone who has no options.”

My drama teacher could hear my imaginative cogs whirring and failing to catch as I tried a patter of hard-talking, imitated cynicism. It just didn’t sound right. I had no mental picture of a life launched from a rickety childhood, crashing into dead-ends, barriers and recurring disasters.

As I continue on with the mammoth task of revising my 2014 memoir, Not My Story I keep on asking myself that key question;

“What is this about?”

Marion Roach Smith, The Memoir Project. A Thoroughly Non-Standardized Text for Writing & Life

This week’s answer is that it’s about trauma. And privilege. And post-traumatic growth.

This has been shaping my reading and watching list. I steeped myself in the novel Shuggie Bain and binge watched the Netflix series of the Australian novel Boy Swallows Universe. Both books are written from the perspective of the child navigating to adulthood from a childhood marred with parental abuse of alcohol and drugs. Where the needs of the children fall out the bottom and slide away.

I agree with my sister that Shuggie Bain should be called Agnes Bain. It’s a portrait of a mother, now resisting, now succumbing to the plug hole of alcoholism. Without the upbeat, action-hero ending of Boy Swallows Universe, it left a strong trace of the depth of (self-inflicted) human suffering. How doing the same thing always seems easier than doing the smart thing.

Ah Agnes, how I loved your periods of sobriety and how your boys thrived on full stomachs and the sunshine of your attention. And a break, just for a while, from their an endless worry about whether or not you were drinking that day.

Keeping on the trauma theme but switching to non-fiction, I’m now reading The Body Keeps the Score, Mind, Brain and Body in the Transformation of Trauma. Then, this paragraph leapt out at me and reminded me of my failed improv;

“Many of my patients have survived trauma through tremendous courage and persistence, only to get into the same kinds of trouble over and over again. Trauma has shut down their inner compass and robbed them of the imagination they need to create something better.”

The Body Keeps the Score, Mind, Brain and Body in the Transformation of Trauma.

And back to the memoir and its themes, and the questions it generates. My drama teacher was right. I can always imagine and positively reframe life so there’s always another option. But is this just privilege or is something else also at play? And why don’t we talk more about post traumatic growth as a thing that most people experience to some degree? An imaginative frame to bring forth something better in our lives?

There’s a lot to untangle.

Seeing sepia in colour

Sunday Blog 120 – 28 January 2024

Old photo albums marinade us in the difficult truth that everything passes. A picture from the late 1920s of my mother as a toddler, smiling in front of the rose garden her father created from the heat and dust in the small town of Winchester in mid-west Western Australia.

I mention this photo to Mum and she says “he divided the rose bed in four and put different coloured roses in each quarter.” He was also a keen photographer. He took the photo nearly a decade after emerging from the horrors of World War One behind him. Not quite whole, but able to create a happy family home in the bush, complete with a multi-coloured rose garden.

The trick for me now is to see the roses in colour, vibrant as my steaming tea cup of tea.

The trick is to remember that everything passes.

Glimmer of goodbye

Sunday Blog 119 – 21 January 2024

I was scandalised the first time I heard of the Buddhist notion that we have no right to the fruits of work. Despite stumbling on this knowledge as a teenager, as I near my sixtieth year I’m still constantly falling forward into the future. Especially for those tasks that are dull. The only reward is to have them done. And while I’m completing such tasks, I’m not fully present. I’m visualising when it will be complete.

And as we have been finishing the very last tasks of closing up our family home of 65 years there are plenty of dull tasks, such as cleaning bathrooms. And then of course there was my unbalanced, maniacal devotion to keep the pool sparkling. I wanted the fruits of that labour, goddamit.

And now, it’s all over. The house is all done and settles on Wednesday. It’s time to hand in the keys.

Taking leave, finding the right goodbye to the house seems hard. This morning, I awoke from my very last sleepover in the bedroom I preferred to sleep in when I stayed overnight. And washing over me were memories of when I’d sought refuge in my parents house 22 years ago, the night after surviving a home invasion. The initial waves of flashback I experienced and moved through were had in this very room. To know that this refuge is gone forever has been felt today as a piercing loss.

But a quiet moment in the morning, in the back yard with hazy, early morning sunshine and clamorous bird song opened up a portal to the present. A little glimmer of goodbye, of resting in what is.

The Red Room is empty

The Red Room is empty

Sunday Blog 118 – 14th January 2023

Of all the rooms that posed a challenge in the recent clear-out of my family home, it was the Red Room. So named for the smart red tulip wall paper installed on its walls in the seventies once I’d moved out. This wallpaper covered up the funky riot of purple wall covering applied in the sixties.

I had shared the Red Room with a sibling – we were the two youngest. Our messiness was legendary. We needed to jump from the doorway to our beds, as the floor was foot-deep in crap and not navigable on foot.

As the eldest siblings left home, I would move into their rooms. While I don’t have any issues, honest, I did note that the moment I vacated our shared bedroom it was chi chi’d up with said tulip wallpaper. The Red Room was snappy in the 1970s.

Meanwhile, variety was the spice of my life and I enjoyed trying out my four other sibling’s room for size. As they boomeranged in and out, I would try first this room, then another. My shortest tenure was my brother’s room, which harboured a robust family of flying cockroaches. They are clever, evil beings, half bat, half insect which fly right at you, especially when you have insect spray in your hands. By the time I left, my cockroach anxiety had ballooned so much that I lay gingerly down then leapt as though burnt. The tag of my pillow felt just like one of their creepy barbed legs.

But I digress. The Red Room had become the Junk Room since 1980 and despite many attempts to de-clutter it, the Red Room had remained swamped by random memorabilia. Every available wall space was jammed with shelves.

And now, the clutter had to be removed. It needed to be winnowed, as there were precious treasures hidden among the dross. Our cot cards that were pinned over us in the nursery as our father came to admire us after the mess of birthing was done. The congratulations cards our parents received on our births. Admittedly, as the sixth child and fifth girl, the messages of congratulations on the occasion of my birth were more muted. One person was honest enough to ask if my mother was coping.

Weeks ago, we hit upon the genius idea of boxing up the Red Room shelf by shelf and sending it all to my eldest sister’s house for sifting and sorting. But one cupboard missed the boxing process and my long-suffering eldest sister baulked at any more boxes. The state of her marriage may have hung in the balance had I presented a further half dozen cartons of junk. 

The cupboard remained full over the Christmas break. I looked at it over Christmas and slammed its door shut in despair. Well, the doors didn’t shut properly, but you get the idea.

And finally, post-Christmas as the house settlement stage loomed, we had even emptied this cupboard. Someone even salvaged the empty shell from the verge after we had dragged it there, with a few surreptitious kicks and curses on the way.

Suddenly the Red Room emerged as the relatively spacious double bedroom that it had always been. The Red Room wallpaper still hangs, albeit in shreds here and there.

I shut the door on the room, confident the room was now clear.

“Here,” one sister says. “It came from the Red Room floor.”

A little plastic tag. My name, date and time of birth. The tag that went around my ankle, and would have been cut off when I was 14 days old, when Mum was allowed home from hospital after two full weeks of bedrest.

Now the Red Room is completely empty.

Middle of the night musing

Sunday Blog 117 – 7th January 2024

Middle of the night musing

Perhaps I am strange but I love the gap in the night between my first sleep and my second. A sweet pause where I am refreshed and delivered into the deep quiet of the night. Nothing to do. A clear schedule.

Once I was told that I had an “administrative” soul and a “creative” soul. The administrative soul has enjoyed my career, watching me work hard and smash out those goals. My creative soul has waited, the quiet child at the party, watching on from the sidelines, hoping to be noticed. That I would walk over and strike up a conversation where I admitted that I did indeed want to give this writing thing a proper go.

Two years ago the quiet child roared out from the sidelines, and I quit the career. Even so, my time can get filled up with Things Other Than Writing. Like this weekend, helping clear out the family home of 65 years which has an astonishing melange of trash and treasure jumbled up together. It’s a writer’s procrastination wonderland.

Last night I was delivered into this quiet, gracious space of the middle of the night and was listening to a podcast that is non-stimulating and calming. Except the quote above from Clara Pinkola Estes electrified me. I had to pad around the darkness of the family home trying to find pen and paper to write it down.

You see, I am revising my 2014 memoir Not My Story to re-release it in 2024. It debriefs a single incident trauma I survived 22 years ago. Like all my writing projects it seems to emerge as it wants, wilful and skittish. The book is now demanding relevant quotes and this one from Clara Pinkola Estes was perfect. Wanting Something Good to come out of that trauma was an urgent, instant need. But as time has gone on and on I wonder did I listen carefully? What exactly did I hear, and is it the same message now?

Mulberry Tree

Sunday Blog 116 – 31st December 2023

The last day of year, the last Sunday blog for 2023.

Christmas day 2023 was the last one we will ever celebrate in our family home of 65 years. We had three generations make use of a jar and a notebook to write up our favourite memories from across the decades. We weren’t limited to one but I chose a mulberry tree memory.

Nearly 15 years ago I was married under the mulberry tree in a white dress. Yes, I did have some concerns about how that would all work out. Admittedly, the frock only cost $25 from a charity shop so the stakes weren’t high.

The mulberry tree was planted decades ago and was a generous producer of that sweet fruit that stains permanently. But it was the perfect backdrop for the photos and shade from the hot January sun. And so, I risked it.

At the end of the wedding festivities my groom and I made our way to a nearby hotel. His ute had been festooned with toilet rolls and streamers with a crudely written “just married” sign. I was still in my frock and high shoes when we checked in. I had some vain hopes of an upgrade to the bridal suite.

That was not forthcoming but our room was perfectly nice. When getting changed (at last) I noticed that one mulberry had found its way into my dress, but by some sweet miracle, hadn’t stained it.

David

Sunday Blog 116 – 24th December 2023

With my second-last blog for 2023 I’m sharing a nugget from a recent online writing course I did with Dani Shapiro to help re-boot my writing practice. Dani Shapiro is one of my favourite authors – she writes both fiction and non-fiction and teaches writing classes every now and then. This was an online course but one day, one day, I will attend one of her workshops in person.

Paris 1979 with siblings – me on the right

At age 14 in 1979 I had the opportunity to go to Europe with my family. Do a Tour taking in all the culture, marinade in art. Florence was one destination, and we made a pilgrimage to see Michelangelo’s statue of David. All these years later I can still recall the unfinished marble statues outside and inside the main gallery. You could see the figures, trapped and fighting to be freed by the sculptor’s touch. And then walking into the room where the exquisitely complete David statue was displayed. So much bigger than I thought it would be! And to be live, in person! To be able to walk all around David and realise with a thrill, realise that he has the string of his catapult across his back. While my parents were concerned that I was mainly looking very disengaged, even disenchanted (see Paris photo for an example), in reality I was taking it all in, deep.

So when I participated live in Dani Shapiro’s course, and watching the replay for the sessions from the wee hours, I loved what she had to say about writing. Unlike a sculptor, we don’t start with a block of marble. Michelangelo apparently said that David was already in that block of marble, and all he had to do was to free him. But as writers we have the empty page. And the empty page is nothing. A first draft however, is our block of marble.

It has re-invigorated my editing process and reminded me of the value of re-writing. My statue of David is not quite yet forthcoming (lol) but I live in hope!

The long goodbye

Sunday Blog 115 – 17th December 2023

This is my fifth blog on the 1910 novel Howards End because-well-I maintain it has something important to say about many things. And today I’m pondering the long goodbye to my family home. What better than to review what Mrs Wilcox had to say about her family home, Howards End? She even married someone she knew was, well, limited, because he had the means to save her beloved home.

There’s maybe a month, maybe three weeks until we will have to clear out completely 65 years of belongings from the house. Way back in 2020, I hand-wrote a piece, wondering if the last days of my family home were upon us, and I transcribed it into a blog in 2021. And here we are, 2023. We squeezed out three full years after my father died in the house in October 2020, as he so desperately wanted to. It wasn’t the place he was born, but it was the place he spent most of his life. He bought the house in the 1960s, aged 31 and for the next 60 years, the house was his ongoing, absorbing, beloved project.

Here is an early image taken by mum in the 1960s as she watches him teetering on very minimal scaffolding, his feet in thongs/ flip-flops. She wanted a picture for the children because she was sure he would plummet to his death. He didn’t and undertook many more equally bold projects around the house.

In the city where I live, the custom is to drag out goodbyes at the end of an evening. Sometimes the conversations at the car can last longer than the entire discussions over dinner.

I can’t stand that. I like a quick farewell. Rip the bandaid off. Into the car. Disappear into the departure gate at the airport. Drop someone off and wait until you’ve pulled away from the kerb to cry.

But here we are with a bittersweet, very last festive season in the family home. An almost unbearable number of times to feel the homeliness of the rooms. Smell the water on the garden, which conjures up the long-gone pepper tree where hours and hours would disappear in play. See the plates and cups and chattels of childhood. The different selves I once was around each corner.

Tomorrow I may only feel relief that the ongoing task of keeping this crumbling old wreck is coming to an end. That its hideous carpets, old wallpaper and kitchen cupboards will be removed or spruced up. But today I am leaning in to the bittersweet sorrow.

Your loved ones are not OK

Sunday Blog 114 – 10th December 2023

So often I said this in the last few years – if I could ignite a community movement, it would be to remind people to visit their frail aged loved ones. Now I come to write this, I’m choked by my confusion, mired in my own hesitations. I sound impossibly self-righteous, tedious. What would I know, really? Aren’t families profoundly complex and shouldn’t I butt out, desist? Is this post the equivalent of patting someone’s pregnant belly without their consent? Or asking a new mother when she’s having her next baby?

But. Only this. In Australia where I live, we have set up our aged care system so there is no possibility of front-line staff being able to provide for our loved ones’ every needs. No matter how kind, caring, skilled, dedicated they are.

And really, it’s not their job. They provide personal care, including washing, dressing, feeding and cleaning up after our frail people. Somehow, we equate this in our mind with the full picture of caring. But this work is complementary to the care that only loved ones can provide. Family, or chosen family.

Remember how during Covid everything suddenly had to stop? Only caring couldn’t stop. Didn’t stop. We undervalue caring, even though it is vital.

As Rosalyn Carter, American writer, activist and humanitarian (and former First Lady) put it;

There are only four kinds of people in the world.

Those who have been caregivers.

Those who are currently caregivers.

Those who will be caregivers, and

Those who will need a caregiver.

Rosalyn Carter

She died on my mum’s 97th birthday just a few weeks ago. I didn’t know this until I checked the wording and origin of the quote. So it’s a sign I need to post this, that someone needs to hear this. Your loved ones need company, someone who remembers them in their fullness of humanity, before they were frail. So if you’ve been thinking about it, just do it. They will be glad, but perhaps you will be enriched and uplifted too.

Vale Dawnie

Sunday Blog 113 – 3rd December 2023

This is a visual tribute dedicated to a beautiful visual artist, Dawn Meader. Tuesday this week she was laid to rest in a moving funeral service. Just one year ago, in her sixtieth year on this earth, she was diagnosed with brain cancer. She didn’t fight cancer – she invited it in for cups of tea, loved on it, refused to believe it would take her so soon. 

Dawn was a fun-loving, visionary artist who used her talents not just to create stunning artwork. She also taught women to access their inner artist, their creativity. She gifted us with the potential to forge our own creative path, scattered magic over her students, which rippled out for so many of us. I wanted to reflect on the magic she brought into my life, and I know many others have magic stories of their own.

1/3 Getting unstuck with Art with Dawn Meader

Dawn’s classes were an intoxicating blend of music, chanting, meditation and putting pastel to the page. She was so playful, funny and vital, it was impossible to resist her encouragement. I came to Dawn as a stuck writer, and the very first pastel drawing she got me to do unloosed all the creative knots within me. I did many more, my favourite being on the top right, the representation of my book, and all the books to come. Most of our artworks with Dawnie were enormous – see my Gold Woman actually in the back of the car like a passenger.

2/3 Bali

Then there was the 2014 trip to Bali, where Dawn kindly allowed me to bring my 14-year-old daughter and held the space of women plus teen with grace and aplomb. Ten years later, my daughter face-timed me, trying to find the beautiful studio we had worked at and stayed in for the Bali retreat. I was busy searching my computer for the documents Dawnie sent about the trip and discovered the name just as my girl had found the place. I have a screen-shot the moment. It felt so like Dawnie magic.

3/3 Ongoing Dawnie magic

In 2014, we made a sandcastle at South Beach – a large-bottomed Queen Victoria. To shrieks of laughter and yet more buckets of wet sand, we forged this beauty under Dawnie’s direction. I was utterly exhausted by the end, but Dawn the artist made sure we pushed through until we had her just so. 

I stopped going to art classes regularly, as my writing practice was well-established. Then on Christmas of 2021, my daughter and I each bought one of Dawnie’s gorgeous 2022 calendars with an image of her artwork for each month. We wrapped it up and gifted it to each other, more laughing once we understood what had happened in the madness and mayhem of present unwrapping. I’ve written on the cover of mine, documenting that little big of magic, and that 2022 was the year Dawnie was diagnosed.

On Tuesday the beautiful memorial service started and ended with us all chanting “Hu” – like “Om” but designed to uplift you and help you see the magic in the everyday. We began each class with the Hu chant and I was right back in class, about to tackle another life-size artwork with Dawnie. The sound. The vibration. I joined in when I could stop crying long enough to sing, to meld with the voices of pure love. I thought about how many women whose creativity was unearthed or released through her workshops. Cried a bit more.

And I haven’t even discussed her art properly. So divine. A print of one of Dawnie’s exquisite paintings hangs above my writing desk. I always think it is a self-portrait of her flying over Queensland, where she lived at the time she painted this.

She was a gifted artist who chose to teach, to share her magic with students over the decades.

Fly high beautiful Dawnie, you rare and special soul.